Concepts
Bootstrapped Seeds
Why the seed has to come from the same pipeline that will paint the final tile
Style transfer only works when the style being transferred is something the target renderer can actually produce. The single biggest win in an earlier iteration — a +1.45 jump on the VLM judge, from 4.11 to 5.56 — came from changing nothing except where the seed images came from.
Pick a seed source
Same anchor, same prompt, same FLUX + IP-Adapter stack. Only the seed source changes. Watch the right canvas for what FLUX produces when asked to continue from each seed style.
Seeds generated by the exact pipeline (FLUX img2img + IP-Adapter) that will paint the final tile. Style transfer no longer fights itself; the +1.45 jump comes from this single change.
Why the seed pipeline has to match
IP-Adapter encodes the seed image through CLIP and conditions FLUX on the result. CLIP doesn't separate "style" from "content" cleanly — both end up in the same embedding. When the seed comes from a different renderer, those embeddings ask FLUX to do something it can't quite do, and the artefacts show up at the seam.
Brush size mismatch
Gemini renders with smoother brush strokes than FLUX. The IP-Adapter tries to enforce that softness — FLUX renders sharp — net result is a stippled half and a smooth half.
Highlight temperature shift
Gemini's highlight palette skews warm. FLUX defaults cooler. Without matching seeds, the seam side stays warm and the painted side drifts cool.
Frequency band drift
Different generators bias different frequency bands. CLIP encodes that bias into the IPA embedding, then it shows up as a sudden change in detail density across the seam.
Generate a small batch of seed strips with the exact pipeline that will paint the final tile (FLUX + IP-Adapter at the same scale, same scheduler, same step count), then use those as the seeds for full tile generation.
The result
How this is built (technical)
Bootstrap pass: run the full FLUX differential-img2img + IP-Adapter v2 stack at ipa_scale = 0.6 on a small set of anchor strips painted by a coarse
style-reference model. The outputs are cropped down to seed strips and fed back as the IPA reference
image for the real run — same scheduler, same step count, same guidance scale across both passes,
so the style budget is identical end-to-end.